This third issue of TRACES Journal collects different innovative and critical reflections on the theme of contested heritages in Europe, aimed at illustrating and assessing creative and reflexive formats, tools and strategies of heritage transmission with the arts. The contributions investigate the story and cultural influence of sites of memories, as well as addressing the ways in which artistic practices, exhibitions, museums, education centres reflected the contentious heritage and provided an opportunity for a public debate.

 

TRACES #03 | May 2017

European Cultural Heritage

Irina Armianu | Eurovision: A Music Festival of National Identity in 20 and 21st-Century Divided Europe

Michela Bassanelli | Erased Traces: the Importance of Place

Giulia Golla Tunno | From Mannequins to Contemporary Art: Madonna (after Omomà and Céline), 2008 by Roy Villevoye at the Tropenmuseum

 

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TRACES Fanzine #03 | Insights